The WWE/AEW Age Divide - What It Actually Means

So much for The Roaring 20s...

Jon Moxley Triple H
WWE/AEW

All Elite Wrestling's existence since its January 2019 launch, for better and worse, has been defined more by numbers than by the actual product offered by those three letters.

The company that has proven gifted at writing and plotting dense stories unlike anything in North America outside of NXT's very best efforts has instead been largely defined by a weekly ratings tweet from either Bryan Alvarez or John Pollock that determines if the angles and arcs were worth the effort. It's been this way since Dynamite's debut edition. Before then, in fact.

We now know that ALL IN was effectively a backdoor pilot presided over by billionaire backer Tony Khan rather than a celebration of independent wrestling spirit, but the premise was electrified by a bet with Dave Meltzer to draw 10,000 people. Those five figures felt like they needed a sequel, but Khan offered ten and the chance to form an entire company.

WWE's attempt to cut this off at the pass failed. Moving NXT to Wednesdays to go head-to-head with Dynamite was all about reducing perceptions and siphoning viewers. A fairly consistent pattern of wins for the TNT show has left a USA Network move for the black-and-gold brand looking more and more like a dangerous gamble. And even when they win a week, the demographics position NXT as show for the 50+ in contrast to the coveted 18-40 market dominated by the opposition.

Don't be blinded by what sounds like business talk - the discussion of the demos really does matter and should impact creatively. Demos drive advertisers, advertisers drive networks, networks pay for shows, just as TNT did for Dynamite in January 2020. But has this been the wrong age statistic to focus on all along?

CONT'D...

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett