Why WWE Will Always Sell Out EVERY Gimmick

Bray Wyatt Merchandise
WWE

Why indeed.

The obvious reason is cash. Truckloads of it. Money made not just from ludicrously overpriced replica titles, but masks and t-shirts and puppets and tapestry blankets. There was an old industry axiom that proffered the idea that gimmicks sold t-shirts but characters sold tickets. Ideally, the goal was to gain both, but the latter had to come before the former in order for audiences to truly give themselves up to something they knew wasn't actually for real.

As he typically is, Stone Cold Steve Austin is perhaps the best example of this. An initial run of Chilly McFreeze ice trays might have made decent stocking-fillers for the WWE fan of the house even if said fan thought the gimmick was boiling hot garbage. An Austin 3:16 shirt looked the part, but felt vital because fans wanted to gain a deeper connection with the person wearing it on television, and to represent his values and beliefs in public themselves.

That's not what's happening when somebody buys a Fiend mask, but then this isn't just about the very notion of merchandise, or even Bray Wyatt. This is a problem with WWE's one-size-fits-all mentality and the damage it has done to that gimmick and will do to every other one like it, if Wyatt is any sort of precedent.

There were those that tried to smash the system, but they were rule-proving exceptions.

CONT'D...

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Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett