WWE Trades Ruthless Aggression For PG | Wrestling Timelines

The WWE PG Era was trash. The WWE PG Era was treasure.


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WWE.com

The 2000s was a turbulent time for WWE. It started wonderfully, if you only watched the TV product.

Stone Cold Steve Austin was written out of storylines in November 1999, but no matter; as early as January 2000, Triple H had evolved into a main event-level heel. The Rock replaced Austin as the top babyface, more than adequately, by setting a record of consecutive attendances in excess of 10,000 fans. Underneath, powered by Chris Kreski’s overlapping, brilliant creative direction, Kurt Angle, Edge and Cstohristian, the Hardy Boyz, and countless more acts connected with the people. 2000 was arguably the best year in WWE history; while it was not as fascinating nor as futuristic as 1997, the top-to-bottom match quality had never been better.

A greying cloud hovered overhead the entire time. In December 1999, the media went after the WWF. Wrestling was over, and outrage is timeless. Various hit-pieces were penned by various outlets, generating so much attention that Coca-Cola pulled its sponsorship. WWE’s TV carriers got spooked by the pressure applied by the Parents Television and Media Council; Vince McMahon, in turn, made halfhearted, on-off attempts to tone down the product. With the Rock and a returning Steve Austin drawing so much money, a lack of sponsors was not an issue. And then, in 2003, with the Attitude Era fad dead, the Rock and Austin left.

2001-2004 was a dismal four-year period defined by stale headliners and an inability, even unwillingness, to replace them. Despite a ‘Ruthless Aggression’ rebrand - that didn’t actually happen for very long, and was a fan-designated “era” that WWE itself only marketed retrospectively - the tone and format of WWE television remained largely unchanged. Triple H performing mock-necrophilia; Kane assaulting Lita; Kurt Angle assaulting Sharmell; just because they didn’t take place across 1997-2001, doesn’t mean they were not Attitude Era storylines.

Stars were made eventually, John Cena and Batista most notably, but business wasn’t great. In order to ensure maximum profits, WWE had to behave.

Or pretend to behave…

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Contributor
Contributor

Michael Sidgwick (Creative Writing BA Hons) is an editor, writer and podcaster for WhatCulture Wrestling. With over a decade of experience in wrestling analysis, Michael was published in the influential UK institution that was Power Slam magazine, and specialises in providing insights into All Elite Wrestling - so much so that he wrote a book about the subject. You can order Becoming All Elite: The Rise Of AEW on Amazon. Possessing a deep knowledge also of WWE, WCW, ECW and New Japan Pro Wrestling, Michael’s work has been publicly praised by AEW World Champions Kenny Omega and MJF, and Undisputed WWE Champion Cody Rhodes. When he isn’t putting your finger on why things are the way they are in the endlessly fascinating world of professional wrestling, Michael wraps his own around a hand grinder to explore the world of specialty coffee. Follow Michael on X (formerly known as Twitter) @MSidgwick for more!