10 Creepy Similarities Between Nolan And Burton’s Batman Movies

7. Both Films Were Criticised For Their Violence

Although he€™s a superhero, traditionally bright coloured, tightly spandexed do-gooders, you shouldn't let Adam West fool you into thinking Batman is a light topic. At the very centre of his character is grief, expelled through a naturally violent pastime. He ain€™t no blank slate like Superman. But you don€™t make a cinematic outing for the world€™s biggest superhero and not want to get children watching. While a pushover/hack (take your pick depending on how generous you€™re feeling) like Joel Schumacher will make something so pandering that three years olds mock it, directors aiming for something worthy of the material are naturally going to lean towards more violent routes. And it€™s from this approach that led to both Batman and The Dark Knight pushing the limits of what makes a family film; in the UK Burton€™s film led to the creation of the 12 certificate, while Nolan€™s brought parents to question the legitimacy of its offspring, the 12A. What€™s so humorous here is how so many of the complaints trotted out against The Dark Knight had simply been collecting dust after being used nineteen years before. Just as Batman now looks rather light by today€™s standards, it€™s violence is nothing to get wound up about, making the fact it remains rated 15 (an R by US standards) on DVD a farce.
Contributor
Contributor

Film Editor (2014-2016). Loves The Usual Suspects. Hates Transformers 2. Everything else lies somewhere in the middle. Once met the Chuckle Brothers.