10 Movies That Only Make Sense At The End

4. 2001: A Space Odyssey

Starchild 2001 Space Odyssey
MGM

Stanley Kubrick's insanely ambitious sci-fi epic has baffled and transfixed audiences in equal measure for more than 50 years, even if its driving thematic is really quite simple - it is a film concerned entirely with the notion of progress.

2001: A Space Odyssey is bookended by scenes which depict pivotal moments of evolution. The opening Dawn of Man sequence sublimely match-cuts from the ape-man's bone to an orbiting satellite, spanning millions of years in the blink of an eye.

And then, at the end of the movie, Dr. Bowman (Keir Dullea) encounters a monolith, which allows him to transition from a mere man into the Star Child, foretelling another epochal evolutionary leap.

Kubrick certainly intended his film to be open to a high degree of interpretation, but it's no mistake or coincidence that these unforgettable set-pieces effectively frame the rest of the movie.

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Contributor

Stay at home dad who spends as much time teaching his kids the merits of Martin Scorsese as possible (against the missus' wishes). General video game, TV and film nut. Occasional sports fan. Full time loon.