20 Reasons Why Growing Up in the 80s and Early 90s Was Best Time For Cinema

11. The Prolificacy of the Teen Movie

Action films got there due, but if you were a more sensitive soul, there was something for you too. The €˜80s and early €˜90s produced one teen movie after another, and they were good too (for the most part). Broadly, the period went from the €™70s fallout of 1982€™s Fast Times at Ridgemont High, to the instigation of the brat pack and the yuppie-centric movies starting with 1983€™s Valley Girl then the John Hughes period of the mid to late €˜80s that went from 1984€™s Sixteen Candles through The Breakfast Club, Weird Science, Pretty in Pink and Ferris Bueller€™s Day Off, culminating with 1987€™s Some Kind of Wonderful. Say Anything in 1989 saw an end to the schmaltzier teen movie and simultaneously started Cameron Crowe€™s career. Dark comedy Heathers came the same year, shortly followed in the early €˜90s by Richard Linklater€™s Slacker in 1991, Cameron Crowe€™s Singles in 1992, Linklater€™s Dazed and Confused in 1993, the Ben Stiller-directed Reality Bites in 1994 though to Empire Records and Clueless in 1995, seeing us though Gen X and safely into the subcultural divide of the mid €˜90s. Not a bad run of films. Not only is there something in there for everyone, but if you€™re the right age there could be quite a lot in there for you. What€™s more, they were written and directed by people like Amy Heckerling, Cameron Crowe, Richard Linklater and John Hughes, people who understood their audience and spoke directly to them. It could reasonably be argued that neither before nor since this period have teens quite had it so good when it comes to teen-orientated films. In terms of prolificacy, the odd American Pie here and Easy-A there don€™t quite cut it in comparison.
 
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David is a film critic, writer and blogger for WhatCulture and a few other sites including his own, www.yakfilm.com Follow him on twitter @yakfilm