8 Things Avengers: Infinity War Did Better Than Captain America: Civil War

5. It Illustrates Genuine Peril

Avengers Infinity War Tony Stark
Marvel Studios

One of the major problems about having heroes fight each other is that there's never a genuine sense of peril. Steve Rogers might've passed at the end of the Civil War event but it came in a completely separate storyline and at the hands of an unknown assailant. At no point, either in the comic or in the film, was a character imperilled to the extent they are in Infinity War.

Now obviously that could either be a massive plus or a minus depending on how you like your cinematic experiences (Infinity War, enjoyable though it may have been, was uniquely stressful to watch), but there is something to be said about making these characters feel vulnerable. Death shouldn't be utilised as a crutch for writers either, otherwise your left with just another imitation of Game of Thrones, but the fact remains that - from start to end in Civil War - neither faction would dare kill the opposition. There's a case of blue-on-blue, and the consequences are somewhat grave, but even when Tony's at his most incensed you can tell he'd never kill Cap - he just doesn't have it in him.

That brings us to Infinity War, and while it's equally true it can only accomplish what it does through the years' worth of stories built up from 2008's Iron Man, it's still true that the audience genuinely fears for the Avengers by the time Thanos comes-a-knocking. He's a threat unlike any other, and in reminding us that these heroes are human, the third Avengers film also returns to a core tenet of the Marvel Universe - the focus on the relatable, over the extraordinary.

Of course Infinity War is bizarre, but it's that human element that carries it from start to finish.

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.