A Wrinkle In Time Review: 3 Ups & 6 Downs

2. The Impressive Visuals

A Wrinkle In Time Chris Pine
Disney

Though DuVernay sadly doesn't do enough with her sizeable budget, the film is at least handsomely mounted for the most part, thanks to both Tobias A. Schliessler's precise cinematography and sharp visual effects (aside from an all-grey tornado set-piece that looks pretty ugly).

The film undeniably looks its best when it's bright and vibrant, and in these moments, it sometimes manages to evoke the breezy, adventurous tone it was clearly seeking throughout.

All the style in world is for nought without a worthy script, of course, but at least the film is largely easy on the eyes.

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Contributor

Stay at home dad who spends as much time teaching his kids the merits of Martin Scorsese as possible (against the missus' wishes). General video game, TV and film nut. Occasional sports fan. Full time loon.