An A-Z Guide To Ryan Gosling
B: (The) Believer 
2001 was the year when Ryan Gosling went from fuzzy child actor to raging youngling, and appeared in the reasonably well-received The Believer. Goslings role in the film required him to play a Jewish man who rejects his upbringing and embraces the neo-Nazi movement. As with most race-related dramas, it is all a very chirpy affair and everything ends up rosy. According to the films director Henry Bean, Gosling was cast because Bean believed that the young actors Mormon upbringing might give him a natural insight into the strict Jewish lifestyle of his character. Whether that is the case or not, Gosling took to the role and got a taste for acting outside the all-American sweetheart he had played to that point. The Believer marked the beginning of the end for Disney Gosling, but it would still take him a while to find his stride. (See also, W: Weak Links) C: Colouring Book 
Scorsese and De Niro, Burton and Depp, Ford and Wayne. There are many great director-actor partnerships in film history. Gosling has two bromosexuals in his career, and the first is Blue Valentine writer/director Derek Cianfrance. Gosling and Cianfrance practically became the same person throughout the shoot of Blue Valentine, with the actor basing his look and behaviors on his director, and the bromance went from there. After a series of gushing statements about each other, Gosling and Cianfrance have teamed up again for the directors next film The Place Beyond The Pines. The best thing about Goslings working relationship with Cianfrance is that they push each other to betterment. Blue Valentine is a career highlight for Gosling, and has set a precedent for his heart of gold performances; something that he has slowly honed with the likes of The Notebook, and Lars And The Real Girl. (See also, N: Nicolas Winding Refn) Roll on The Place Between The Pines
2001 was the year when Ryan Gosling went from fuzzy child actor to raging youngling, and appeared in the reasonably well-received The Believer. Goslings role in the film required him to play a Jewish man who rejects his upbringing and embraces the neo-Nazi movement. As with most race-related dramas, it is all a very chirpy affair and everything ends up rosy. According to the films director Henry Bean, Gosling was cast because Bean believed that the young actors Mormon upbringing might give him a natural insight into the strict Jewish lifestyle of his character. Whether that is the case or not, Gosling took to the role and got a taste for acting outside the all-American sweetheart he had played to that point. The Believer marked the beginning of the end for Disney Gosling, but it would still take him a while to find his stride. (See also, W: Weak Links) C: Colouring Book 
Scorsese and De Niro, Burton and Depp, Ford and Wayne. There are many great director-actor partnerships in film history. Gosling has two bromosexuals in his career, and the first is Blue Valentine writer/director Derek Cianfrance. Gosling and Cianfrance practically became the same person throughout the shoot of Blue Valentine, with the actor basing his look and behaviors on his director, and the bromance went from there. After a series of gushing statements about each other, Gosling and Cianfrance have teamed up again for the directors next film The Place Beyond The Pines. The best thing about Goslings working relationship with Cianfrance is that they push each other to betterment. Blue Valentine is a career highlight for Gosling, and has set a precedent for his heart of gold performances; something that he has slowly honed with the likes of The Notebook, and Lars And The Real Girl. (See also, N: Nicolas Winding Refn) Roll on The Place Between The Pines