Every Arnold Schwarzenegger Movie Ranked Worst To Best

2. Terminator 2: Judgment Day

Terminator 2 Judgment Day Arnold Schwarzenegger
Tri-Star Pictures

Terminator 2: Judgment Day is the apex of Arnold as an actor and as a star, the culmination of a decade of genre dominance that subverted his mainstream debut and yielded Schwarzenegger's most heartfelt and emotional performance to date. Undoubtedly one of the greatest action movies. sci-fi movies and sequels ever made, James Cameron's Terminator follow-up recalibrated an eighties cinema icon, turning one of the decade's greatest villains into the next one's hero.

And while T2 is filmed to the brim with immaculate players - including a career-best Linda Hamilton, who marshals her own on-screen transformation just as shockingly and believably as Schwarzenegger - Arnold is its beating mechanical heart and soul, a death-robot who is taught to love and live by a troubled boy whose shoulders the weight of the world has been placed. Cameron orchestrates the character's reintroduction and development perfectly, first playing with the expectation of the T-800's previous appearance and the arrival of Robert Patrick's cop-dressed T-1000, before slowly developing the emotional connection between the machine and John Connor - in and amongst some of the best action sequences of the decade.

Slowly but surely, the Terminator becomes a reflection of humanity's best features, showing mercy, cracking jokes, and cementing an emotional bond with his protectee. Cameron builds this to a fittingly devastating conclusion which in turn delivers the most affecting moments of screentime in Schwarzenegger's filmography, as the T-800 lays itself to rest, and parts way with his surrogate family.

Out of tragedy springs hope, but the Terminator's loss is one of cinema's most profound - so well-oiled is Cameron's direction, and committed Schwarzenegger's performance.

Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.