The Best Batman Film No One Saw

2. A Box-Office Failure Of WB's Own Making

Batman Mask of the Phantasm Phantasm
Warner Bros.

The real tragedy of Mask of the Phantasm, however, isn't the dissolution of Bruce Wayne's love life, but the pitiful reception it released to. This was a picture destined to illustrate the creative scope of Batman: The Animated Series to a whole other audience, but a rushed schedule led Warner Bros. to bungle its marketing, which amounted to little more than one measly theatrical trailer.

The film was originally conceived as a straight-to-video effort, but soon changed to a theatrical release upon the request of the studio. Said change brought with it an increase in budget, with the film costing $6 million to make. This in turn granted more freedom to the film's creators, but in meeting a December release, the Brothers Warner left little time to actually sell the film to audiences, with little to no press being conducted in the run up to its Christmas premier.

As a result, Mask of the Phantasm made only $2 million over its first two days in theatres, with strong word of mouth alone not enough to carry the film to a profitable ending. With further releases on VHS, DVD and now Blu-Ray, Mask of the Phantasm has somewhat reversed its unfortunate spell in theatres, but while it found renewal in home media, you'd have been hard-pressed to find a fan in 1993, where Burton's Bat-films remained the popular cinematic interpretation of the Bob Kane-Bill Finger comic.

Given the film's now stellar reputation, it might be difficult to comprehend that it struggled to capture an audience quite the way it did. This was a feature that distilled the very essence of Batman into an hour-long adventure, but whereas its contemporaries were never found wanting in the marketing department, Mask of the Phantasm was plunged into deep waters and forced to float on its own - encumbered by a release date that never truly allowed its filmmakers to promote it the way they would've hoped.

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.