10 Times Publishers Sabotaged Their Own Video Games

What, do EA have a grudge against Respawn or something?

Titanfall 2 EA marketing
EA

Video games are big business, and like with any industry, it isn't short of its fair share of boneheaded companies. While the medium itself is full of incredibly talented developers, writers, animators, voice actors and so many other professionals, it's sadly the case that their hard work can come undone thanks to an ignorant or even greedy parent company, determined to cut corners, cash in, and make their already vast profit margins even wider.

This has become particularly evident over the last two console generations, and especially over the last half decade. All too often, genuinely great games are let down by incompetent publishers, and it can mean studios get left high and dry with no support. Surprises are ruined by marketing, studios get chopped and changed without notice and, at the end of it all, Metacritic averages drop, some devs lose their bonuses, and fans turn away.

The gaming industry isn't short of notorious publishers, and unfortunately the story of games or franchises with real potential being sabotaged by said companies has become increasingly frequent on the last generation of consoles.

Whether it's being dropped in the middle of a hectic release window, being forced to use an uncooperative engine or even having entire swathes of content cut completely, here are the times video game publishers were seemingly determined to send titles out to die...

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Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and the Golden Age of Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled.