8 Video Games That Tackle Incredibly Polarising Subject Matter

4. Battlefield I: The Taboo Surrounding The First World War

battlefield 1
EA

Apart from The Second World War, you'd be hard-pressed to find a conflict with such a long-lasting cultural or political legacy than The Great War.

In the immediate aftermath of the armistice, governments across Europe, though heavily intent on further legitimising their duplicitous imperial ambitions, sought reflection. This was, after all, the most destructive conflict in history (up until that point). Millions perished, and for that reason the war is etched firmly into the collective consciousness of Europe's nations.

In Britain, for instance, the 11th November is marked as a day of national remembrance; primarily in regards to the First World War, but also for military lives lost long after as well. Each year, school children venture to the battlefields and war graves of France and Belgium to primarily study, but also to reflect.

Point being: There's barely a citizen in the UK that doesn't have an ancestor touched by the conflict.

DICE have taken massive liberties in attempting to retain their staple franchise's style of gameplay in this early 20th century setting, but it's still a title rooted in history. Indeed, there's nothing inherently controversial about that - other wars have long been the setting of military shooters, even Vietnam which is a conflict far more contentious than this one - but the Great War is always discussed in solemn, even idiosyncratic tones.

It was still a war, one that started over 100 years ago now, but even then there's a general hesitance to associate such a conflict with 'fun'.

This probably speaks more for the rampant hysteria of the British press (God, can't someone please save us from Rupert Murdoch?) in regards to the act of remembrance itself, but there is certainly a unique level of significance attributed to the Great War, even if some would argue there shouldn't be.

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Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.