GTA V: 5 Things Rockstar Can Learn From GTA IV

4. The Soundtrack Doesn€™t Need To Be Recognisable

Most people who call Vice City their favourite GTA game will say it€™s because of the soundtrack. Whether it€™s Flash FM you listen to, or Wave 103, the Vice City OST plays like a double-disc compilation of 80€™s number ones, charting everything from Herbie Hancock to Flock of Seagulls. It set the bar for games to come: Equally pop-centric, Grand Theft Auto: San Andreas was backed by a veritable mix of famous grunge, dance and hip-hop tracks. GTA IV bucked the trend: With a plethora of unsigned artists clogging Liberty€™s airwaves, Grand Theft Auto IV€™s soundtrack has more in common with the original GTA from 1997, made when Sam Houser was a talent scout for BMG Records. There€™s bashment, grime, hardcore; electro, jazz, trance, dance; rap, rock reggae; indie rock, prog-rock, krautrock; every genre you can name, from hundreds of artists you can€™t. And like the gang tags and clothes shops dotted over Liberty€™s districts, GTA IV€™s eclectic soundtrack gives each borough a unique cultural identity: Cruise Bohan at night and you€™ll be greeted with menacing dubstep from passing Humvees; hang around Hove Beach, and hear European rap thumping in the dive bars. It€™s another layer on Rockstar€™s dense game world, the diverse soundtrack to a modern, multi-cultural metropolis. Here€™s hoping GTA V sounds the same.
Contributor
Contributor

Manual laborer and games journalist who writes for The Escapist, Gamasutra and others. Lives in London. Last seen stumbling around Twitter muttering to himself @mostsincerelyed