15 Brain-Twisting Concept Albums That Are Endlessly Rewarding

6. Time Out €“ The Dave Brubeck Quartet

Jazz enjoyed a banner year in 1959. Among others, the year saw the release of Miles Davis€™s Kind of Blue, John Coltrane€™s Giant Steps and Ornette Coleman€™s The Shape of Jazz to Come. It also saw the release of the Dave Brubeck Quartet€™s Time Out, a quieter album with a simple, yet highly innovative, concept: make use of non-standard time signatures. The result was a record that not only challenged jazz€™s notion of time, but stood the test of time for over 50 years. From the very beginning, you know you€™re in for something special. The opening Blue Rondo a la Turk is a beautiful, piano-driven piece in 9/8, with a classical, forceful delivery and an unusual rhythm inspired by Turkish street musicians. Take Five is one of the group€™s biggest singles, planting a 5/4 melody in the heads of millions of Americans so seamlessly they didn€™t even know they were listening to an experiment. Brubeck was already a well-known name in jazz, and he would continue his experimentation in odd time signatures as his career went on, even releasing a sequel, Time Further Out. But it€™s on this ambitious, adventurous recording that an artist fully emerges. Each song is a journey, a conscious exploration of the new, the uncharted, and the cerebral €“ which, from 1959 on, would pretty much be the sole mission of jazz performers.
 
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Kyle Schmidlin is a writer and musician living in Austin, TX. He manages the news blog at thirdrailnews.wordpress.com. Follow him at facebook.com/kyleschmidlin or twitter.com/kyleschmidlin1.