The What Culture Interview: Jon Gomm - 22/11/2013

On Approaching A New Album As A 'Somebody'

Gomm 4S.T: So the new album is out on Monday. What was it like approaching the album with the €˜pressure€™ of such huge success online, as well as being known in guitar circles a lot more now than ever before? J.G: It€™s funny, I mean this is a weird thing as I€™m always much too honest, but €˜media pressure€™, isn€™t a thing. Because the media are gonna like it more, than they ever did before, there€™s a pressure on them to like it, because right now I€™m this guy that you€™re kind of €˜supposed to like€™, you know what I mean? The pressure is on them to review the album, so if they€™re gonna slag it off, they€™re gonna have to back that up, because they know I€™ve got people who are fans, and they know that I€™ve got now, so it€™s actually more pressure on them! The pressure that I do feel, which is really intense, is the pressure of expectation more just from people wanting to listen to it. I€™ve got a way bigger audience now, so I don€™t€™ wanna let them down with something that€™s no good, so I€™ve just done my best not to do that. You can€™t help thinking about it when you€™re recording, like €œwhat are people gonna think of this€, but you have to try and not be distracted by it. S.T: So with your style of playing there€™s a very heavy percussive side to how you create songs alongside the vocals. What was the balance between leaning more heavily into instrumentation as oppose to vocals? J.G: Well there€™s four instrumental pieces, which is more than I€™ve ever had before, and I really like instrumental music, but it€™s a very different thing to make and perform as well. It€™s funny because there are no tunes on the album which aren€™t in some way kind of weird or crazy guitar-wise; they all are, they just all are. Even the ones that maybe don€™t sound like they are, like there€™s a song called There€™s No Need To Be Afraid, which sounds very simple, but actually it€™s not! (laughs) It€™s really hard to play, or it€™s hard for me anyway! I think it€™s just in the way I approach it where I write the first and then do the guitar parts, I€™m not really thinking €œAhh sh*t this is just gonna be a guitar w*nkfest€ (laughs) If I€™ve already written a song and I already know what it€™s about, it doesn€™t really matter how much guitar w*nkery there is, the meaning is still there, so that€™s how I approach it. Sometimes there€™ll be an area within a song which is just €˜okay€™. Like some of my songs have guitar solos, which sounds quite weird I suppose! But there€™s a song on the new album called Orville, that has a proper guitar solo even though it€™s an instrumental, there€™s a section in the middle where it€™s a proper, y€™no it€™s quite shred (laughs) guitar solo! So for that it was like €œIs this possible/Can I do this?€ would it be possible to play? I virtually never play that song live, it€™s really really hard. I€™ve got a groove going with the left hand, like kind of tapping and doing a bit of percussion on the neck, and then the right is doing multiple-string legato runs and arpeggios and stuff, which are completely separate, so it€™s a really, really insane thing (laughs). What I€™m hoping with the technical aspect, is that people will watchin it on Youtube and there€™ll be some kid in his bedroom who€™s like €œLet€™s play that!€ and they€™ll go on to make something ten-times more incredible, a few years from now.
Gaming Editor
Gaming Editor

WhatCulture's Head of Gaming.