Lacking a threat, In The Forest of the Night could ultimately be forgotten. But it's a broad episode combining ingenious concepts and cinematic shots which culminate in a beautiful fairytale-esque narrative about the world standing up for itself. Child actors are generally rubbish and yet series eight has been the exception. Ellis Georges Courtney Woods was a delight in Kill The Moon following some lacklustre prior performances, and the children in In The Forest of the Night were likewise likeable. Maebh was loveably insecure; Ruby was over-the-top; and George had several funny lines. The luscious forest gave way to more faces of Claras relationship with both the Doctor and Danny. She finally begins to realise what a catch Danny is and she totally forgives the Doctor for his previous malice. Their farewell scene was exceptionally written and acted, following a long line of strong performances from both actors. When Jenna Coleman finally departs the TARDIS, she sure is going to be missed. Like previously mentioned on this list, many of the lighthearted tales in series eight havent worked in comparison to the darker ones and yet In The Forest of the Night does. Its whimsical notions give breathing space following Kill The Moon and Flatline, and preceding the dark tones of the finale. It's a tale which deserves to be remembered, but one which probably wont be. What did you think of our look at the lighthearted episodes of Doctor Who? Do you agree, or is there something missing? Let us know in the comments.
