Arrow: 9 Mistakes It Must Avoid In Season 4

5. Losing The Plot

A 23-episode season is always going to pose problems for writers, as they attempt to tell the story they want in that time without having too much filler. Season 2 worked because of the focus on Slade Wilson, likewise season 1 and the arc of becoming the Arrow combined with the Undertaking. Season 3€™s arc was obviously the League of Assassins and Ra€™s al Ghul, but even that changed halfway through from being because of Sara€™s death, to being because Oliver must become the new Ra€™s. Then there was the Brick-led takeover attempt, and a load of little subplots shoehorned in, meaning that there wasn€™t enough of a focus for the season. Oliver€™s training to become the new Ra€™s, only for it to turn out he was faking all along, meant that by the season finale his character, and that of Ra€™s, were in the same place they had been before that started to unfold: Oliver must become the new Demon€™s Head, or Ra€™s would kill all those he cared about. Season 4 must make sure that all of its elements are strong, that each subplot works €“ without having too many of them crammed in €“ and that there is an overall focus, whether it€™s on a villain or Olly€™s transition into €˜something else€™, that serves the season as a whole.
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NCTJ-qualified journalist. Most definitely not a racing driver. Drink too much tea; eat too much peanut butter; watch too much TV. Sadly only the latter paying off so far. A mix of wise-old man in a young man's body with a child-like wonder about him and a great otherworldly sensibility.