Mulder and Scully make their way down to the basement of an abandoned warehouse of some sort, in search of the person - or thing - brutally murdering people connected to relocating the homeless in Philadelphia. They've been led to believe, or Mulder has anyway, that it's the Band-Aid Man, who "speaks" for the homeless in the area. Ominous graffiti stencils are left close to where his victims are found, and he has torn people to shreds quite literally (while taking some choice body parts with him). So Mulder and Scully are on edge, and when a walking clay sculpture saunters past them (or maybe it was papier-mâché) - they seem startlingly nonplussed. Within minutes, they seem to have accepted this as the norm, and are chatting away with the Trash Man, a tattooed artist who claims to have put so much of himself into his art that it has come to life. While Mulder debates the man over just how this is possible, and Scully pretty much just listens in, neither bother to actually try and track one of these creatures down. You know, as the proof that they're so badly seeking, or just because they're sort of cool to watch.
Primarily covering the sport of MMA from Ontario, Canada, Jay Anderson has been writing for various publications covering sports, technology, and pop culture since 2001. Jay holds an Honours Bachelor of Arts degree in English from the University of Guelph, and a Certificate in Leadership Skills from Humber College.
