10 Quick Fixes For WWE When Crowds Return

6. NXT TakeOver's Free Hit

Edge roman Reigns
WWE.com

The world has changed beyond recognition since February 2020's NXT TakeOver: Portland, and the same could be said for the black-and-gold brand too.

Back then, it hadn't yet definitively accepted life as second best in the Wednesday Night War, and the white hot crowd that night highlighted just how important the Network specials were to keeping the brand prestigious. In the absence of proper versions of the former god tier show and a futile need to win a ratings war, NXT lost all the focus that once defined it.

TakeOver: The Return (or whatever) has to serve as a reminder of what this was really all about all those years. Five or six total bangers over a tight two and half hours with a title change or two (more on that momentarily), performed in front of a crowd spent to the point of physical decay from all the pops.

The Tuesday night show may never fully recover from the hammering it's taken with the emergence of AEW as the pre-eminent brand for the discerning North American fan, but about once every three months, they have the opportunity to be the best at something again. And August isn't even that far away.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett