10 Quick Fixes For WWE When Crowds Return

4. #Content & #Buzz

Edge roman Reigns
WWE.com

WWE's social media is as corporate as one of their investor calls. There's an opportunity here to briefly transform that perception and sell a few more tickets in the process.

Lighting up the socials with live footage of fans going absolutely apesh*t in the stands is going to generate more buzz than an empty hashtag or those sterile backstage skits featuring wrestlers talking about how cool it is to be back in front of people again. Even before the pandemic, WWE's product was so devoid of emotion that all too often that was apparent on Raw and SmackDown.

That distinct lack of energy coming forth from the crowd (thanks entirely to the lack of an interesting product being presented to them) resulted in a rather combative relationship between company and consumer, but even as a content factory rather than a wrestling show, WWE can and should advertise that they've healed all those old wounds.

"Together" was added to the "Then. Now. Forever" branding as light started to emerge at the end of this tunnel. Showing rather than telling would do much for its authenticity.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett