10 Secrets To Vince McMahon's Success
9. A Galaxy Of Stars
McMahon, well-renowned for a superiority complex over what he would later refer to as wrasslin', was nevertheless not above plagiarism.
WrestleMania wasn't quite his brainchild; Starrcade was its spiritual antecedent. McMahon didn't even name WrestleMania; Howard Finkel did, inspired by the Beatles. Still, McMahon's promotional drive was entirely his own; by devising the Rock N' Wrestling era, cross-promoting with the white-hot MTV, and borrowing stars from the "real" wing of celebrity (pity the fool who underestimates Mr. T's contribution to the WWF's expansion), McMahon framed the inaugural WrestleMania as pro wrestling's debutante ball. The public was mesmerised by the talismanic Hulk Hogan, the viciously charismatic Roddy Piper, the impossibly massive André The Giant, and the glamorous Wendi Richter.
In short order, the WWF, after the failed experiment that was WrestleMania 2, grew in popularity to such an extent they crammed a stupendous (though false) number into the Pontiac Silverdome for 'Mania III. The subsequent influx of memorable (and McMahon-modified) megastars - the minted mega-heel Ted DiBiase, the insanely intense Randy Savage, the simply insane Ultimate Warrior, scores of others - stacked the WWF so heavily that it evolved from fad to cultural cornerstone.
To McMahon's immense credit, this fit of creativity and commerciality remains unparalleled.