10 Things WWE Stole From The Indies

1. NXT

CM Punk ROH Title
WWE.com

WWE have rewritten the developmental rulebook with NXT.

No longer a mere finishing school, the system is now a viable brand in its own right, and a wrestling-centric island away from the main roster's tedious Sports Entertainment. NXT is the source of much of WWE's most visceral and exciting output. Its TakeOver events are always among the year's strongest, but while radically different from the rest of the company's output, NXT is little more than WWE's attempt at a super indie.

With few over-the-top stories, straightforward promos, an all-star cast, and a focus on wrestling above all else, NXT is presented almost exactly like prime ROH or PWG. It's Triple H's fantasy booking dream come to life, and while considerably glossier than any independent promotion could ever hope to be, WWE have largely succeeded in capturing the smaller stages' spirit with NXT.

This is nothing like the developmental territories of old. NXT is still a training ground, but putting on a good show is just as essential now. WWE have succeeded not by aping Raw and SmackDown, but successfully adapting dozens of indie traits for a wider audience, creating a product perfectly tailored to their hardcore fans' needs.

Channel Manager
Channel Manager

Andy has been with WhatCulture for eight years and is currently WhatCulture's Wrestling Channel Manager. A writer, presenter, and editor with 10+ years of experience in online media, he has been a sponge for all wrestling knowledge since playing an old Royal Rumble 1992 VHS to ruin in his childhood. Having previously worked for Bleacher Report, Andy specialises in short and long-form writing, video presenting, voiceover acting, and editing, all characterised by expert wrestling knowledge and commentary. Andy is as much a fan of 1985 Jim Crockett Promotions as he is present-day AEW and WWE - just don't make him choose between the two.