10 Times Vince McMahon Sold His Soul

3. Excess

Vince McMahon Stacy Keibler
WWE.com

Despite UFC's enormous buyrates suggesting the contrary, Vince declared the pay-per-view market as good as dead when launching his over-the-top WWE Network service in 2014. Keen to cannibalise himself for the good of the long game, McMahon chased a regular income from a set number of subscribers every month over relying on the ebbs and flows of a market he was theoretically in control of.

It was the first (but definitely not the last - more on that later) full move away from the roots of promotion within of the industry that had existed long before even his grandfather Jess sold boxing and wrestling to punters in the New York area. Back then and all the way up to present day, the product still needed to be good enough to entice viewers to somehow pay for it. The methods of delivery had altered but the brass tacks hadn't.

By offering an expansive back catalogue and just about keeping things afloat in the present day, McMahon handcuffed a very willing audience with a nominal outgoing fee. The output has never financially delivered more, yet subversively mattered less.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett