10 Ways WWE Completely Buries Babyfaces In 2017

8. They're Slaves To Authority

Kurt Angle Stephanie McMahon
WWE.com

When Hulk Hogan was wrestling's biggest ever star in the mid-1980s, few fans enquired as to who his boss was, how his matches were booked for television tapings and pay-per-views, or if all his admin and human resource paperwork was in order. Hogan fought bad guys because, bizarrely, it was his job. That was enough.

A decade later, Steve Austin had those hurdles, but that was because management (Vince) didn't want him as the guy fighting the bad guys. Nor did he want to accept that he actually was the bad guy. The need for the anti-establishment bent was embedded in the angle.

Daniel Bryan, as this era's last modern equivalent, was the perfect employee. He gave no earthly reason for top brass to trample on his success, other than because the bosses are now a wrestling trope, entirely losing sight of what their purpose was originally supposed to be.

Thus, Triple H, Stephanie McMahon (and in very different, cynical ways, her brother Shane) go out of their way to castrate babyfaces just because. If wrestling were real, this would be insane. Giddily hijacking your own business just for cheap thrills is not remotely understandable, but the message was completely lost over two decades of General Managers, Commissioners, Directors of Authority or whatever mundane title an ex-wrestler was hastily given.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett