10 Wrestlers Who Came Crawling Back To WWE

Cody's back in time for WrestleMania! But who else took Vince McMahon's money more than once?

Stardust Spider
WWE

Take the title convention in the spirit in which it is intended here. That being to slightly poke fun at an odd take that's been particularly prevalent in the last few years.

Since the dawn of a major North American alternative in 2019, WWE hardcores have been increasingly noisy about the supposed ownership of talents that - by wrestling's historic broken practices - are independent contractors rather than employees anyway.

One of the very first bad faith criticisms of All Elite Wrestling was the use of "ex-WWE" talents, as if the performers were supposed to work for Vince McMahon until they retired. Or he did, depending on which came first, and the latter never felt likely. In Dynamite's early days, it was ill-judged on those terms, but within six months of AEW's existence it was simply untrue.

Not only did the company not "just" rely on those that had worked for WWE, but the examples were stacking up of those doing something completely different and creatively more engrossing since they'd left. This wasn't TNA marking out over picking up the latest released name to go over AJ Styles, nor the weekend show near your house promoting a "WWE TV Star" to win the territory's title for the night.

This was a wrestling company giving independent contractors a different or more fulfilling outlet to ply their trade, exactly as McMahon himself has done for decades.

Fans still unable to grasp that need only look back through the company history for countless examples...

10. The New Age Outlaws

Stardust Spider
WWE.com

As of this writing in early 2022, WWE has spent much of the prior two years doing away with around 150 contracts to make "budget cuts" arm-in-arm with record profits.

Talent impacted by this capitalist skullduggery need only look to the 80s, 90s and now should they want to vent their spleens on podcasts, Q&A evenings or - where they still even exist - low budget shoot interviews.

As that cottage industry boomed with the birth of tape trading and the internet at large in the mid-1990s, so did the prevalence of stories that had only been shared in the likes of the Wrestling Observer before then. The majority of famous names from wrestling had been either side of WWE and WCW's revolving doors by then, and those that wished to were able to share their tales of tumult with the tape rolling.

The New Age Outlaws did just that, sh*tting from every height onto Triple H specifically for how their relatively short but hugely profitable runs hit the skids. Those promos were popular enough that TNA made them Impact canon - Voodoo Kin Mafia existed to neg WWE and DX before remotely concentrating on getting their own house in order.

Time heals all wrestling wounds that aren't fatal - Road Dogg and Billy Gunn were both back in the fold (and wearing gold!) by 2014.

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Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. Within the podcasting space, he also co-hosts Benno & Hamflett, In Your House! and Podcast Horseman: The BoJack Horseman Podcast. He has been featured as a wrestling analyst for the Tampa Bay Times, Fightful, POST Wrestling, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett