10 Wrestling Clichés You Can't Ignore

5. Babyfaces And Their Fancy Cars

Corey Graves Michael Cole
WWE

Wrestlers are more disconnected from the real world than a lot of them would probably like to believe, and much of that is okay.

It's an industry misconception that all of us just want to be best mates with the performers. The reality is that the relationship was forged between performer and audience with a guardrail in between, and the original form is still the best. Heels are to be loathed, babyfaces to be aspirational, all within the context of fans mostly being from working-to-middle class backgrounds.

It's perhaps why a lot of the wrestling millionaires thing fancy cars are cool rather than hideously obnoxious. Especially midway through the umpteenth recession in a decade. And especially during and post a life-altering pandemic.

Steve Austin had a branded pickup, but vehicles were as much a weapon to 'The Rattlesnake' as his Stone Cold Stunner. They're status symbols for the likes of Cody, The Inner Circle and most recently Bad Bunny. It's so close to perfection too - use those expensive wheels for heels and you've hit upon yet another emotional response to the bad guys. Don't deploy them to cut a connection between your heroes and paying customers.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett