9 Funniest Times Wrestlers CORPSED On Live TV

"Funny ain't money", but these WWE laughs are worth their weight in gold...

Brock Lesnar Jey Uso

Corpsing in wrestling is theoretically botching in wrestling, but why are these two things never considered the same? 

When a move falls apart during a match, the facade of the work is exposed yes, but what matters most - beyond the health of the performer if something goes badly wrong - is exactly how much the immersion in the fiction was broken in the moment. Does the mistake create such an emotional diversion that nothing else matters for the remainder of the action? Is the story so broken by that sudden, out-of-nowhere lack of co-operation and/or lapse of concentration?

The answer, more often than not, is no (despite what bad faith actors would say), but the dreaded botch nonetheless results in disappointment. Meanwhile somebody breaking character - the cardinal sin at the heart of this - to laugh unexpectedly deepens the joy. Laughter in general is often a form of release, but when a wrestler does so on camera, it's just about the biggest invitation to the real world behind the scenes this side of somebody going out there and completely shooting on a colleague. And much nicer. In many of the cases below, the audience can be heard roaring at the mere sight of a giggle, such is the magic of the unexpected audience.

Which makes it all the strangers when wrestlers are determined not to break...

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9. Deadman Chuckling

Brock Lesnar Jey Uso
WWE

Stone Cold Steve Austin's 2001 heel turn might have been a generational commercial flop that expedited the end of a boom period for WWE, but never had 'The Rattlesnake' been permitted to flex his comedic muscles quite as much as when the rest of the business was in the bin. Combining that with The Undertaker's desperate will not to break character and/or drop his hard man visage made for magic on the Invasion pay-per-view go-home edition of SmackDown

The whole promo is a preposterous bit of business, with Austin echoing the motivational orders of Vince McMahon, seemingly in an attempt to pop everybody in the room the same way he is people in the building. To apply a bit of critical analysis, it's not particularly best for business considering how high the stakes were intended to be, but Austin's in such irresistible form that it's hard to really fight for the supposed integrity of the WCW invasion.

It appears to be a build-up of nearly-laughs that forces 'The Deadman' to temporarily cover his face, and at various points when the camera pans out, it appears as though teammates Chris Jericho and Kane are struggling just as much to hold it together. Only Kurt Angle (himself a world class comedic operator at the time) seems to be able to maintain a straight face, but he'd worked so much with Austin at this point that he was clearly more match-fit than the rest. 

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. Within the podcasting space, he also co-hosts Benno & Hamflett, In Your House! and Podcast Horseman: The BoJack Horseman Podcast. He has been featured as a wrestling analyst for the Tampa Bay Times, Fightful, POST Wrestling, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett