THIS Is The Same Mistake WWE Makes Every WrestleMania Season
The Road has become literal by positioning its key players in very contrived vehicular angles, and in 2019, with Charlotte Flair interjected in the picture, the three women kicked the sh*t out of one another in a police car fisticuffs angle on the go-home show. Loosely-plotted but well-performed, the bombast of it all just about excused its contrived premise.
Kofi Kingston was afflicted by the same odds-stacking over on SmackDown in a series of diminished Gauntlet matches. All too often, WWE arrives at the perfect WrestleMania story, the thrust of which peaks in a fantastic, early segment, and scrambling, creative proceeds to go batsh*t crazy on tropes and visuals that only serve to dilute it.
In 2018, WWE warped reality to an extent that Vince Russo couldn't conceive by promoting Roman Reigns, stigmatised as the office favourite, as the office enemy. Mr. McMahon was compelled to suspend him after a heated confrontation, in which Reigns questioned the absence of Brock Lesnar. They had the temerity to script Reigns to say that Lesnar was McMahon's "boy". A simple story of redemption and ascension was ruined - they shouldn't have ran it, and they still ran it into the ground - with the least credible attempt to blur the lines in the history of professional wrestling. It was, again, a totally unnecessary story element that must have felt, to them, in some way lurid and compelling.
These people are selectively magnetised to vehicles between February and April. It's an epidemic.
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