8 Biggest Things To Come Out Of Doomsday Clock #3

5. 'The Supermen Theory' Gains Traction

DC Comics/Gary Frank

Much like Watchmen was a product of the Cold War milieu, Johns' Doomsday Clock has rooted itself squarely in the zeitgeist of November 2016. Conspiracy theories abound, bigotry is resurgent, and the established heroes of the DCU are no longer granted the reception they once were.

These are testing times, clearly, and one way Johns chooses to both allude to this and further plant the seeds of Manhattan's machinations is to reference something called 'The Supermen Theory'. As the theory goes, DC's populace have finally alerted to the US-centric nature of superhero-dom, with most if not all of the DCU's heroes originating in the USA and not elsewhere.

On the surface, a stat like that would be cause for suspicion. In DC's case, the suspicion has manifested in opposition towards the government, with the Department for Metahuman affairs having created Metamorpho (a retconned origin for the former Outsider), and against the heroes themselves too, with Lex Luthor profiting from the world's metaphobia (?) by selling a series of bio-scanners that can detect superpowered individuals, stoking a superhuman arms race in the process.

This seems like more than just a case of contemporary political allegory though, and when you consider Veidt's past comments that Manhattan could have even been responsible for the creation of the superheroes already out there, the fact they're concentrated in one area could yet lend weight to that theory.

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.