Is This The Worst Batman Comic Ever?

4. Masterminding The Dark Knight's Return

Batman The Dark Knight Returns Cover Frank Miller
DC Comics

For all it's worth dunking on All Star Batman, it's equally worth examining the trajectory of Miller's efforts beforehand.

Today, his name commands as much respect as it does controversy - for good reason - but for a long time he was rightly considered a legend of the medium. His run on Daredevil was groundbreaking, and influenced pretty much every single other interpretation of the character thereafter; Sin City remains a standout independent publication, and his work on Batman - although frequently over-credited with restoring the character to his darker roots - is rightly lauded as some of the character's best.

Mainstream narratives tend to over-exaggerate the transformative effects of Miller's first DC work, The Dark Knight Returns, on Batman, but that isn't to say it wasn't important. Although key industry figures like Dennis O'Neil, Neal Adams, Steve Englehart Marshal Rogers and others had all divested from the Silver Age motif that governed the character throughout the fifties and sixties, the delineation between their Batman and Miller's is clear.

Post-TDKR, DC's Bat-books shifted from bright blue and yellow to black and grey, with more artists opting to take inspiration from Miller, Klaus Janson and Lynn Varley's work on that particular comic. A new visual motif was adopted - one also spearheaded by Miller and David Mazzucchelli's Year One - and it's there where Miller's influence on Batman can best be seen today.

The Dark Knight Returns Batman Fight
DC Comics

Influence aside, it's also patently accurate to say that both TDKR and Year One are incredible books. The former is a great examination of Batman's enduring legend and how he differs to DC's other heroes, while the latter optioned a now definitive origin for the character.

As well as all of that, Miller's Batman was - while certainly fierce - a hero at heart. There was no implication that he'd lost his humanity, even while being consumed by his new crusade. He wanted to save people, and he was determined to do so even if it meant putting his own, ageing body on the line.

For all there was a cruel streak to this knight, one never got the sense he was off the rails, abusive, or delighted in hurting people. So how did those traits come to define Miller's Batman just a short two decades later?

Advertisement
Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.