Why The Comics Industry Needs To Change (Before It's Too Late)

The direct market is bad for business, but neither Marvel or DC will admit it.

DC Comics

Comic books today are the most valuable resource when it comes pop-culture. Coveted by studios and dominant onscreen, the reign of the superheroes pervades across multiple mediums and doesn't show any sign of waining - at least not in the most obvious places.

Most, perhaps reasonably, would assume that a healthy box-office generated primarily by stories that originated in the comics medium would mean that the comics industry itself is also in a healthy place. That depends on who you ask, but while the industry is still going relatively strong, it's doubtful that there's anyone out there who doesn't think that things need to change. The onscreen popularity of the Marvel Cinematic Universe and, to a lesser extent, the DC Extended Universe, hasn't automatically engendered an uptick in sales on the comics side of things. The same old problems remain, and to many, the comics medium - certainly when it comes to DC and Marvel - is still relatively inaccessible.

How so? Well that comes down to a myriad of issues. For all that DC and Marvel have tried to jump in on the success sparked by big screen adaptations of their comics, only a few initiatives have really worked. Reboots and retcons net a short-term gain but risk alienating older readers, while newcomers may glance at the sheer number of relaunches and retcons and feel that there's no point in jumping in, lest they get invested in a particular continuity, only for either publisher to pull the plug in search of their next harebrained scheme to pull in more readers.

Astonishing X-Men Reading
Marvel Comics

Comics creators themselves have bemoaned attempts from publishers to ape what the films do, and given how neither company looks like they're on the cusp of the next big comics boom, it's fair to say they may have a point.

But for all the reboots, retcons and relaunches, there's one glaring problem neither publisher seems particularly enthused about confronting. Those who don't read comics probably aren't even aware of its existence, but for longtime readers it's a name that needs no introduction - the 'direct market'.

The point is that the way comics are actually sold is holding them back, and with talk of publishers outside of the big two looking to divest from single-issues and adopt a collection-based, graphic-novel-style-only model, things could finally be about to change...

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Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.