10 Ways Joker's Origin Movie Could Completely Change The DCEU

"If I'm going to have a past, I prefer it to be multiple choice!"

Jared Leto Joker
Warner Bros.

Yesterday's announcement that Martin Scorsese was being tapped to produce a "dark and gritty" (yes, this phrase does need to die), Joker origin film, understandably sent fans a fluster. The news that The Hangover's Todd Philips would be handling the film's writing duties and that it also - purportedly - wouldn't be set in the DCEU, didn't help matters either, with the project having already divided opinion before an official announcement could even take place.

It's certainly the most 'out there' announcement to have emerged from Warner Bros. since they embarked on their MCU rivalling franchise, but, the more you dwell on the issue, the more it makes sense. The DCEU has - barring Wonder Woman - been anything put a critical darling. It's made money - that much is true - but the films are yet to resonate in much the same way as Marvel's have, and, box office receipts aside, that's a massive problem.

In that sense, news of a Joker period piece should be encouraging; steps are clearly being taken to right the wrongs of the DCEU's (admittedly short) past but, more importantly, it opens up a whole new area of potential for DC going forward. We've already spoken at length regarding the possibility that Justice League's red skies could fundamentally alter the company's approach to superhero drama, and with reports of an eighties, neo-noir Joker story entering production - sans Jared Leto - it's possible that WB are abandoning the notion of a cinematic universe altogether.

It remains to be seen what influence, if any, the film will have on WB's strategy going forward, but the implications of such a move are fascinating to consider. With red skies aplenty and a Flashpoint on the horizon, the film could be just the trick to galvanise what remains of the DCEU.

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Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.