The Best Movie Of Each Year From 1925-2025

Honourable Mentions: Cape Fear, JFK, Terminator 2: Judgment Day

As far as movie villains go, few loom larger than the cannibal psychologist, Dr. Hannibal Lecter. A creation of author Thomas Harris, Hannibal the Cannibal made his literary debut in Red Dragon and his cinematic debut in Michael Mann's criminally underseen adaptation, Manhunter, where he was played by Brian Cox. Manhunter is fantastic - a far better film than the meek 2000s update, Red Dragon - but it has spent much of its existence in the shadow of another adaptation of Harris' works, and one that is, in no uncertain terms, a true masterpiece.

Jonathan Demme's The Silence of the Lambs swapped out the forensic detail and lyrical stylings of Mann's interpretation for something distinctly neo-gothic, bringing to the surface the feminist themes that bubbled underneath Harris' prose and weaving them through the dank basements and skin-garnished cellars that decorated the novel.

Silence is oppressively claustrophobic at times, emphasising not just the vulnerability of Jodie Foster's Clarice Starling but also her resilience. Extreme close-ups amplify Lecter's menace (played to theatrical perfection by Anthony Hopkins), but more pronounced in these moments is Clarice's strength - her vulnerability treated not as a foible, but as an asset that ultimately drives her and leads to the capture of Buffalo Bill.

As controversial as Demme's adaptation was and for all the tropes and imitators that it spawned, Silence still stands out in the buffet of serial killer fiction as a thoroughly sympathetic and human production. It's easy to see why its flamboyance has been deemed exploitative, but ultimately, this is still one of the most sensitively drawn examples in the genre, and a more than worthy Oscar knockout.