Doctor Who: A Feminist Defence Of Steven Moffat

Conclusion

drwhodrhw Perhaps the most thundering refutation of the criticism that Moffat€™s women are never allowed to own their story is Clara Oswald. In contrast to the three Ponds--none of whom got to determine the narrative of their story any more than the Doctor did--Clara was always the writer of her story. She saved the Doctor before he even met her, and she did it in grand fashion defeating two major Doctor Who foes. When she became a regular companion, it was she who determined the days the Doctor would come for her (in direct contrast to River€™s eternal vigil), and she who became the first companion to keep her life wholly independent of the Doctor€™s from the beginning. The Doctor needed Clara more than she needed him, and because of that she always had the upper hand emotionally in their relationship. The Doctor may have always known more than Clara, but that€™s normal because Doctor always knows more than everybody. Clara understood more than him, a very important difference that always gave her the balance of power. In The Name of the Doctor, she made the decision to leap into the vortex and, rather than letting it tear her apart, she went through time saving the Doctor. She ignored his protests and made her own decisions about her life and death. In the end, the Doctor was asking her to €œlet me save you.€ As far as Moffat€™s women being €œtoo sexy€ goes, a woman companion whose sexuality is as unpronounced as the Doctor€™s would be a terrible idea. Companions are there to balance out the doctor, to humanize him, and one aspect of humanity is sexuality. The Doctor€™s lack of overt sexuality sets him apart, and often makes him lonelier than ever. And it€™s the Doctor€™s loneliness that is the central villain of the new Doctor Who. His loneliness warps him, makes him something inhuman, invades and even poisons every relationship he has. It takes a strong personality to break through his loneliness, and many companions have found that a good snog makes the whole thing go much faster. Much of the same holds true for Sherlock. aqqqa The problems of women in Doctor Who are the problems of women in television. Donna may be the coolest companion ever, but she was still marriage-obsessed, and her happily ever after involved a white dress. Martha and Mickey also happily-ever-aftered as a happy couple. Amy is buried under her husband€™s name, as €œhis wife.€ These aren€™t problems with Moffat€™s narratives, they€™re problems with women€™s cultural scripts. On balance, Doctor Who, Sherlock, and Steven Moffat commit no more sins portraying gender than anyone else, and fewer than many. Perhaps the best feminist defense of Steven Moffat comes from the Bechdel Test. For those who don€™t know, the Bechdel test involves two simple questions about any piece of media: 1) Is there more than one woman? 2) Do they talk to each other about something other than a man? It€™s a bar so low you€™d think anyone could step over it, but the sheer volume of movies and tv shows that fail is enough to make any feminist despair. Steven Moffat passes the Bechdel test more consistently than any other writer I can think of. Looking back at his episodes, there have been non-man-centered conversations between women in everything but The Doctor Dances. Even the Irene episode of Sherlock€”the original stories of which never once passed the Bechdel€”passes with flying colors. Joss freaking Whedon doesn€™t pass with this kind of consistency; The Avengers fails the Bechdel. In the end, most of this is nit-picking. Casual fans do not engage in the kind of thinking about a show that produces this much analysis. They do not care what bloggers think. What the casual fans find in Moffat€™s women are confident, powerful and outspoken women. They are smart and never apologize to anyone. We€™re talking about a writer who had aliens translate €œman€ to €œweak€ and €œwoman€ to €œstrong€! Accusations of misogyny are ridiculous. We need more women like Moffat€™s on television. We need them badly. No multi-layered gender studies critique matters as much as the need for strong women characters on television and in science fiction generally. So let€™s everyone lay off the poor bloke. If you liked what you read, drop by my pop culture blog at tyrannyofthepetticoat.wordpress.com.
Contributor
Contributor

Rebecca Kulik lives in Iowa, reads an obsence amount, watches way too much television, and occasionally studies for her BA in History. Come by her personal pop culture blog at tyrannyofthepetticoat.wordpress.com and her reading blog at journalofimaginarypeople.wordpress.com.