Star Trek: Discovery 5 Ups & 3 Downs From 'Context Is For Kings'

Can a horror-themed Star Trek really keep going?

Star Trek Discovery Lorca Burnham
CBS

We may be a little late with this one, but it'd be criminal not to talk about Sunday night's episode of Star Trek: Discovery, 'Context is for Kings'.

The episode, set some time after Burnham's court martial at the end of the second episode, really upped the stakes, providing an accurate representation of what we can expect from the series going forward and, more importantly, a brilliant hour of television in itself.

It was a marked improvement over Discovery's pilot, and while the show does (admittedly) have a long way to go before it can lay claim to being among the very best Trek shows out there, the signs we've seen so far have been encouraging. It very much feels as though the series is carving out its own identity within the wider Trek canon, crafting a story that feels both salient and even necessary in regards not just to Roddenberry's world itself, but within the milieu of 2017 too.

A few niggling issues aside, Discovery's latest episode feels like a breath of fresh air. Occupying something of a tonal middle ground between the Abrams reboot of 2009 and the original, non-Kelvin timeline, the series has taken to the franchise not in an attempt to rekindle nostalgia (although it does come into play), but to reappraise its founding tenets in a period that feels distinctly un-Trek like.

It's inevitable that it won't please everyone but - as far as Trek goes - Discovery is right up there with the very best.

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.