10 Reasons Why Vince McMahon Will NEVER Shake Off The WWE ‘Stigma’

Chairman Of The Broad

Trish Stratus Vince McMahon
WWE

The hype and buzz around January 4th's Wrestle Kingdom 12 was unlike anything in the industry since a miniature earthquake caused by TNA exactly eight years earlier.

On that famous 2010 night, the Orlando outfit launched an ill-advised assault on a stale WWE product, flooding their talented roster with stars of old ostensibly employed to raise the company's profile underneath Hulk Hogan and Eric Bischoff's headline arrivals with the group. If the strategy didn't already mirror 'Easy E's Monday Nitro philosophy over a decade earlier, the company also went on air in direct competition with Monday Night Raw and kicked off an hour earlier to convince fans to stay put with a dynamic alternative.

Two things undermined the whole exercise. Perhaps most crucially, the product wasn't a dynamic alternative. It was a tired retread, offering little difference to the nostalgia WWE would often pepper into their broadcasts on birthdays or anniversaries. Problematic for the group was that McMahon bucked the usual trend of completely ignoring them to instead deliver the seismic return of Bret Hart on his show as a counter.

It highlighted how quickly Vince's default setting was still so sound. WWE is so often a frustrating beast, but few promotors have overseen as many globally recognised creative success stories as McMahon himself. If only those moments of audience satisfaction were scant succour for the man himself.

10. The Content Of His Own Network

Trish Stratus Vince McMahon
WWE Network

Vince McMahon's entire creative legacy sits within his own over-the-top streaming service, but his decision to exorcise some of his most perverse demons on-screen over the years has resulted in something of a conundrum for his future efforts beyond his wild world.

Keen during the persona's late-1990's peak to blur the lines between the 'Mr McMahon' visage and the slightly-less-bonkers real version of himself, Vince now pays for his gimmicked sins with legitimate penance.

With the world looking upon the industry he stands atop of as little more than a jumped-up circus, his struggle to be thought of as more than just a ringmaster is undermined by the character he so expertly portrayed. In WWE lore, he's an evil genius pushed to psychopathic lengths, exhibiting unabashed cruelty and bizarre comedy in equal measure.

No matter what he tries to sell, the man will always be the cartoon promotor. It's an inescapable dilemma he's created all by himself.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett