15 Greatest Angles In Modern Wrestling History
5. The Full Gear '19 Go-Home Brawl
If the closing scene of the Dynamite premiere was evidence that AEW could create excitement ahead of a PPV cycle, the Full Gear go-home brawl was proof that they could sell a major show. This was the moment AEW Dynamite felt truly special, where the show established its identity as a high-energy overlap of interconnected characters with layered motivations.
AEW perfected this resourceful exhilaration on the Full Gear '19 go-home show when, following Chris Jericho and Sammy Guevara's tainted win over Kenny Omega and Hangman Page, Cody Rhodes ran into equalise the Inner Circle beat-down. MJF, in one last red herring before the turn, sent the retreating Jericho back into the ring for the Cross Rhodes that teased a title switch.
Jon Moxley, smelling the blood, came out to get amongst it as the Inner Circle recovered. His upcoming opponent, Kenny Omega, slunk away - but not to help out Cody. He wanted to fight barbed wire with barbed wire with Mox. Their barbaric show-down was teased only briefly - you'd have to pay for that - before Ortiz and Santana attacked Omega. None of this was contrived; every player involved had motive to join the fray.
A mass brawl ensued, in which - after Omega blasted Santana with a V-Trigger disgusting even by his awesome standards - the Bucks condensed their demented PWG work into their part of the brawl by diving off the entrance tunnel. It ended with a stand-off, except it didn't. Matt Jackson broke the invisible wall because it was invisible; like a real-feeling character, he was still hot, and no fake format sheet had to tell him to calm down.
AEW sold every big match on a pay-per-view in five utterly blistering minutes.