5 Ups & 5 Downs From AEW Dynamite (November 22 - Results & Review)

1. Tournament Tone Setting

Jay White Rush
AEW

AEW could and should be held to the promise Bryan Danielson made about the quality of the Continental Classic, but even with patience extended to the hyperbole, the tournament ultimately got what the slapdash launch of it deserved.

A cold crowd for all the matches made potentially intriguing combinations feel instantly stale, but fans were given less than 7 hours to get hyped due to when the announcements of the leagues were made. Decent wrestling alone can stabilise a product (and AEW needs that), but it cannot wholly reheat and revitalise it. A sense of anticipation was badly lacking, and the company didn’t quite nail the match choices in order to manufacture one.

In 2023, WWE comparisons have constantly been made to illustrate an unfavourable change in direction for the show, but a series of solid-to-good matches runs the product closer to a Raw or SmackDown than any skit or comedy character. And on those shows, the personas have usually had substantially more television time to set their agenda and the audiences right now are way more invested that Wednesday’s Chicagoans.

Not a bad start. But a long way from a best-of-all-time one. And the closest it got was…

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Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett