Another feature worthy of individual acclaim, the way in which shows are now split provides a much-improved user experience that not only does away with the oft-malfunctioning grey dots, but also bins off the spoileriffic titles that used to come with the finishes.
Yes, theoretically any archived content is exactly that, and the company perhaps couldn't have been expected to mask results of shows that could have occurred decades ago, but the WWE Network can be a voyage of discovery for fans - discovery significantly diluted by the results being revealed before reaching the end destination.
The cleaner layout allows for navigational ease, too - the shows are broken up into segments as well as matches, rather than the former forced search either side of bells in order to locate a backstage beatdown or interview.
Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation for nearly 10 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years.
As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 65,000,000 total downloads. Within the podcasting space, he also co-hosts Benno & Hamflett, In Your House! and Podcast Horseman: The BoJack Horseman Podcast.
He has been featured as a wrestling analyst for the Tampa Bay Times, Fightful, POST Wrestling, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has provided in-person coverage of some of the biggest pay-per-views and Premium Live Events in wrestling history, including WrestleMania, Survivor Series, All In & Double Or Nothing in destinations such as New York, New Jersey, Chicago, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live.