These Brilliant AEW Success Stories Should Have SUCKED

1. Forbidden Door 2022

Billy Gunn Daddy Ass
AEW/NJPW

A dream show was plunged into nightmarish depths in mid-2022 when a minor injury crisis robbed the first ever Forbidden Door show of two of its biggest matches.

The planned CM Punk Vs Hiroshi Tanahashi and Bryan Danielson Vs Zack Sabre Jr contests were both taken off the whiteboard when the two regulars went down injured at the same time, but respective replacements Jon Moxley and Claudio Castagnoli didn't have to be lone saviours on a night that made good on years of electrifying promise.

The nine-match card boasted no duds and offered such a glorious range of different styles and stars that it felt like AEW and NJPW had put down a marker for every future inter-promotional supercard. Short on all the obvious compromise and backstage politics typically laid bare in front of the cameras, this was nothing more than the best possible version of itself and thus, totally awesome.

The show's biggest loss was AEW's gain over a year later too - Danielson and ZSJ eventually lit up a WrestleDream 2023 card, earning Match Of The Year plaudits for a contest that ultimately wasn't even a big miss 18 months earlier.

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Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation nearly 8 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett