10 Things Everyone Always Gets Wrong About Iron Man

9. He's Just Another Batman Rip-Off

International Iron Man Cover
Marvel Comics/Alex Maleev

Compare any of the characters in DC's library to that of Marvel's, and one of the first that will inevitably come up is Bruce Wayne and Tony Stark. Both are billionaires; both are orphans, and both lack any typical super-powers. Instead, they use their vastly keen intellect to outthink their opponents and, more obviously, create a technological suit of armour to protect them in combat.

On the surface Bruce Wayne is a philanthropic playboy who spends his days presiding over the affairs of Wayne Enterprises, a company with interests in the technology industry and, before he wrested control from the board, the arms industry too. Tony Stark, similarly, spends his days as a philanthropic playboy who controls Stark Industries, a weapons manufacturer turned scientific business that serves as an outlet to advance his own Iron Man tech.

The similarities are blatant - that much is true - but the pair couldn't be further apart.

To begin with, Tony Stark was created by Stan Lee to be a Cold Warrior. He was designed to be as unlikable as possible, and that he was; Stark was a figure of the Military Industrial Complex and was about as close to the idea of 'the man' as you could've gotten back in the sixties. He was purposefully meant to be antagonised, but only so Marvel's readers could be given a different perspective, and to see that nothing is ever always black or white, but that there are always shades of grey.

It was all part of the Marvel Age's intent to 'reflect the world outside our window', whereas Batman lacks any of that context. Factor in the duo's vastly different motivations, and it's plain for all to see that the Batman comparisons should've flown out the window a long time ago.

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.