8 Creators Who Secretly Defined Your Favourite Heroes

2. Steve Englehart - Captain America

Captain America Secret Empire 1974
Marvel Comics

Captain America, in essence, hasn't changed much since his first appearance. Joe Simon and Jack Kirby envisioned the Sentinel of Liberty as a strong anti-fascist symbol to rally a then isolationist America into action against the Axis Powers, and, for the most part, Steve Rogers has continued to do just that - only, as the years went on, the battle lines were less clearly demarcated; the Captain had to adjust to a more modern challenge.

Lee and Kirby's decision to thaw Cap out of the ice in the pages of The Avengers was one of the smartest decisions they ever made, as the WW2 hero has gone on to cement himself as one of Marvel's most important figures. Writers have used Steve to delve into themes surrounding patriotism, American exceptionalism and even corruption, but the modern image of the character was only really articulated in the seventies during the Nixon presidency.

Without delving too deep into the seventies milieu and the delineation between that and other decades' respective zeitgeists, 1974 was a period of discontent for the US. The Vietnam War was finally deescalating, and Richard Nixon had been brought into office off the back of what appeared to be a groundswell of support for New-Right politics. The 'silent majority', as they were known, were pushing back against the sweeping social change the sixties ostensibly wrought.

It would later come to be known as the 'Watergate era', so-called because of the infamous scandal that exposed the level of paranoia that pervaded the Nixon White House, and the divide in trust between the public and government. Writer Steve Englehart decided to use Captain America to address the climate head on in 1974's Secret Empire, which sees Steve not only turn his back on the Captain America identity, but also sees him expose Nixon as the grand architect of the titular secret society.

Cap has continued to adapt to modern challenges in a politically charged manner, but it was Englehart and artist Sal Buscema who paved the way.

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.