8 Terrible Mistakes That Almost Ruined Superman For Everyone

5. The DC Extended Universe

Man Of Steel Superman Henry Cavill
Warner Bros. Pictures

If you were asked to name a few words that defined Superman - whether the character or the actual comic itself - a select few would likely spring to mind. "Hopeful" would for sure would be on there, along with words like "colourful", "inspiring", and maybe even "tragic", once you consider the character's origin, but certainly not words like "dour", "washed-out" or "cynical", although you could certainly understand why someone would, given most mainstream depictions of Superman from 2013 onwards have failed to convey the character's most inspiring qualities.

2013's Man of Steel - a production spearheaded by filmmakers Zack Snyder, Christopher Nolan, and perennial superhero-misunderstander David S. Goyer - kicked off what was a fairly miserable decade for Superman, due in part to an effort to 'un-bore' the character after 2006's disappointing Superman Returns reboot.

Snyder, who brought a visual pomp to previous comic book adaptations in 300 and Watchmen respectively, was seen as the man to do the un-boring. Warner Bros. were increasingly desperate to catch up with the Marvel Cinematic Universe after the disaster that was Martin Campbell's Green Lantern, and so Man of Steel had to do two things. One: it had to "modernise" Superman (lol), and two; it also had to lay the foundations for a new onscreen superhero universe.

Man of Steel is the film the rest of the DCEU is founded on, and given it's such a miserable film, both visually and narratively speaking, it shouldn't have come as any surprise that subsequent entries in the franchise also stumbled. Those first few films after Man of Steel all had to follow its style visually and tonally, setting DC Film back years in the process, but arguably the biggest victim here is Henry Cavill, who so obviously has the potential to bring to life a more colourful and heartwarming version of Superman, but has yet to be given the opportunity to do so.

Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.