The Best Batman Era Is One You'd Never Suspect

4. Morrison's Batman Reappraises A Forgotten Lifetime

Batman Black Glove
DC Comics

Grant Morrison's journey with Batman started in 2006, and would conclude seven years later in the pages of Batman Incorporated. Throughout, Morrison was dedicated to deconstructing the inner workings of the character, the legacy of the mantle, and the dichotomy between Batman and Robin. That last aspect is especially important, because while other writers often pushed the relationship between Bruce Wayne and his ward into the background, Morrison venerated it and made that partnership a guiding force in their overarching story, irrespective of who was donning the respective cape and cowls of the Dark Knight and the Boy Wonder.

It wasn't just a story about Batman - it was a story about the history of being Batman.

In part, Morrison's understanding of the character's history is what makes their interpretation so gripping. There are little flavours of all the past Batmen to have graced DC's pages throughout the years, whether that be what the writer referred to as the "hairy chested love god" of O'Neil and Adams' series, or the "snarling, paranoid soldier of the ‘90s." Morrison was motivated by that history to tell something grand, and it's what transformed what was initially meant to be a fifteen-issue mini series into the character-defining run we're talking about today.

batman rip zur en arrh
DC Comics

"I became fascinated by the idea that every Batman story was in some way true and biographical," Morrison said to DC in 2013. "By taking his entire publishing history as the story of his life, I was able to approach Batman from a different angle and the multifaceted character that was revealed became the subject of my story."

Indeed, it was this idea that made Morrison's Caped Crusader so captivating. Previously forgotten elements from the Silver Age were reintroduced and reappraised, and yet in a way that blended with the character's modern incarnation. It was inspired - at times a little discombobulating - but it distinguished Morrison's interpretation all the same.

Of course, as with any good Batman story, Morrison wove an engrossing mystery. Starting with the introduction of Damian Wayne and the Black Glove, before concluding in the seminal Batman RIP, Morrison brought Bruce Wayne to the brink of defeat... and then pushed him over. Never did the Dark Knight give up, and so it was fitting that his final sacrifice came in Final Crisis, firing the radion bullet that would ultimately fell Darkseid and save the universe from his dominion.

But this wasn't where the story would end. This was all merely the first chapter, and while what followed bore all the trappings of a new beginning, with Bruce dead and a Battle for the Cowl swiftly following, Morrison still took the opportunity to analyse what it meant to be Batman in a whole new way.

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.