The DC Comic That Saved Green Arrow

1. Why The Archer's Quest Is The Best GA Comic

DC Comics

When people ask DC fans what their favourite Green Arrow story is, they'll usually be treated to a varied response. There's still a lot of love for O'Neil and Adams' GL/GA duo, and even those who swear by Grell's mature, more weary interpretation of the Emerald Archer; others may even option Quiver, or Year One (Andy Diggle, Jock), which to many told the character's definitive origin story. It's an extremely narrow contest, and one that obviously doesn't have a right or wrong answer, but the Archer's Quest is something truly special.

For all the reasons previously mentioned, Meltzer, Hester and Ande Parks' book marked Queen's triumphant return to the medium, and made readers appreciate that very return in a way few other superhero comics have achieved. It turned a tired and cumbersome trope on its head and into something surprisingly emotional, and just like Quiver, provided a solid springboard for other creators to grow and define the Arrow character - albiet to mixed results.

"To me, the Archer’s Quest is a starting point. It’s not just self-contained."

- Brad Meltzer, speaking to Fanboy Planet.

Undoubtedly one of the best things about the book, though, is that it works both as a self-contained entry in the DC canon - something any fan can pick up, read, and appreciate - as well as something that informs latter interpretations of the character and his legacy. Perhaps not so much now that the publisher have undergone two reboots in the decade since Archer's Quest was published, but there remains something uniquely fascinating about Meltzer's Arrow, and that stems from the fact he occupies a moment in time.

The archer of DC's comics today isn't as hard-travelled as his predecessor, and even though he bears many of the characteristics of this Arrow - the one Smith and Meltzer moulded and to many the definitive incarnation - he hasn't been informed by the same experiences. The Archer's Quest, however, takes all of Queen's history into account, and ultimately leaves us with the most compelling version of the hero to date.

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.