10 Things AEW Fans Want After Double Or Nothing

4. Better Camera Work

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AEW

Long-term WWE viewers have gotten very used to the "Kevin Dunn" style of presentation. Lots of cuts, fast zooms, and constant replays. These are just a few tropes that the elusive Mr. Dunn has drilled into our brains over the last few decades.

Whilst you may or may not agree with this style of filmography, there's no denying that WWE run a very smooth TV product. They have been doing it for ages, so really you'd expect nothing less, but it was painfully obvious that the crew working on Double Or Nothing didn't have this same wealth of experience.

There were a few times during the show where the camerawork was, at best, disappointing and, at worst, unwatchable.

This was particularly noticeable during the AEW World Championship reveal segment hosted by Bret Hart. Hart's unveiling of the championship belt was disrupted by a brawl outside the ring, but this didn't stop The Hitman from showing off the belt anyway, so the cameras had no idea what to shoot.

It looked like there wasn't a single clear shot of the belt during this entire segment, which is a real shame because it is a gorgeous design. They're new at this, so we'll give them a pass, but AEW's camerawork has to improve going forward.

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Contributor

Jacob Simmons has a great many passions, including rock music, giving acclaimed films three-and-a-half stars, watching random clips from The Simpsons on YouTube at 3am, and writing about himself in the third person.