Why Vince McMahon Doesn't Fear AEW (But SHOULD)

WWE

WWE, per weekly reports on the Raw and SmackDown ratings, their demographics, and their trends, are losing viewers of all age at faster rate than ever before. This has been consistent since around 2014, or if its easier to remember it this way, that time Triple H mocked audiences for disliking the product and said the only thing they’d do about it would be to call their friend “Mark” or complain on the internet about it.

It felt like this company-mandated take was eating itself as he unleashed it, but it’s been regurgitated and swallowed all over again like billions acid reflux ever since. And look upon those online fans he spoke so disdainfully of, simply for having the gall to want to enjoy a product they paid handsomely for. What of those now? Some still protest impotently then tune in the following week in the faint hope things will improve. Most simply moved away from wrestling. Or, from around 2015 discovered New Japan Pro Wrestling, or their local independent, or another country’s local independent. Or, in 2019, All Elite Wrestling.

Dynamite’s a fabulous show, most wrestlers speak of the place as a fabulous company to work for, and All Elite Wrestling has done a fabulous job of laying down a marker as North American opposition to WWE in a manner we’ve not seen since Eric Bischoff got f*cking serious about reimagining WCW in 1994, or, very generously, Jeff Jarrett and Dixie Carter attempted countless times with TNA 2002-2012 inclusive. What’s great for fans that remember either of those is in how rooted this latest attempt feels in building its own stars in harmony with sensible use of familiar, mainstream-ready names. The likes of MJF, Sammy Guevara and Darby Allin are pulling healthy quarter hours, and they've never ran WWE's ropes.

McMahon's either naive, wrong or both about the company's "investments", and that's not just a subjective take...

CONT'D...

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Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation for nearly 10 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 35 years. As one third of "The Dadley Boyz" Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast and its accompanying YouTube channel, earning it top spot in the UK's wrestling podcast charts with well over 62,000,000 total downloads. Within the podcasting space, he also co-hosts Benno & Hamflett, In Your House! and Podcast Horseman: The BoJack Horseman Podcast. He has been featured as a wrestling analyst for the Tampa Bay Times, Fightful, POST Wrestling, GRAPPL, GCP, Poisonrana and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, Philadelphia, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett