10 Insanely Detailed Comic Book Worlds That Blew Fans' Minds

7. Mega-City One - 2000AD

Judge Dredd Mega City One
Rebellion

Regardless of the fact Judge Dredd tends to be misconstrued literally all of the time (satire, folks - it's satire), one thing everyone can appreciate is how vibrant the comic's dystopian setting actually is.

Forged in the fires of nuclear armageddon, the Mega-Cities of 2000AD are crime-ridden and imposing, spanning hundreds of miles at a time. Readers can thank the late Carlos Ezquerra in pioneering Dredd's dystopian locale, as it was his initial sketches for the comic that forced a rethink from setting Dredd in a future version of New York and shifting it to a whole other kind of city.

But why is Mega-City so captivating? What sets it apart from the deluge of dystopias that populate the medium? Well for one, stylistically, the megalopolis is all-encompassing; it represents the be-all and end-all of life on the eastern seaboard. Then there's the social and judicial framework sported within its towering buildings. The Judges are feared, and operate with no oversight whatsoever. They represent a horrifying, fascistic future of what a police state could become, and it's from that premise that the comic extracts its appeal, inverting the image of the hero into something horrifying.

The stories are grim, and the world even grimmer. It's Dredd pure and simple, and that's why it works.

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.