10 Things Everyone Always Gets Wrong About Comic Books

2. That They're Not Political

Green Arrow
DC Comics

Pretty much since the advent of superhero books, comics have been political. Captain America was created by Joe Simon and Jack Kirby - two Jewish comic book creators - as a blatant anti-Nazi symbol at a time when a virulent isolationism gripped the United States. His first appearance literally has Steve socking Hitler square on the jaw, while other figures over at DC would join the war effort too.

World War II had a transformative influence on the comics medium, and though the Comics Code Authority would attempt to suppress and censor Marvel, DC and countless other publishers during the ensuing decades, the Big Two in particular wouldn't shy away from real-world events. Stan Lee, Kirby and the rest of Marvel's bullpen made a deliberate choice to set the stories in the real United States, with New York the epicentre of their new universe. From that era came books like the X-Men, an allegory for the Civil Rights Movement; Iron Man, which rooted itself firmly in the Cold War milieu, and the Fantastic Four, which span directly out of the Space Race.

Stan Lee Soapbox
Marvel Comics

Marvel's aforementioned commitment to 'reflect the world outside our window' is fundamentally woven into the company's DNA, right down to Lee's monthly soapbox column in which he attacked racism, prejudice, and decried calls for his books to stop "moralising".

DC, meanwhile, would go on to adopt a similar approach. The hard-travelling era of Denny O'Neil and Neal Adams Green Lantern/Green Arrow took an introspective look towards the reform of the sixties and criticised Nixon's America, while later books would go onto pose similar questions with regards to a myriad of different topics. And yet, today, there isn't a shortage of fans who criticise Marvel and DC's works for being political.

Politics have always been in your comics, folks. Pretending otherwise just intimates a wider misunderstanding of the medium as a whole.

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.